Saturday, 20 May 2023
Wednesday, 17 May 2023
The inter room of Land Dayak family
The inter room of Land Dayak family is small and not particularly tidy.Everything possible is suspended from the ceiling,or hung up on the wall,padi carrying baskets and length of rattan,a mosquito net,hats and rubber latex strainer,while the owner squats below and weaves himself anew mat.
Photo taken by Hedda Morrisson circa 1950's
Thursday, 30 March 2023
Sunday, 27 February 2022
Saturday, 29 January 2022
Sunday, 28 November 2021
Saturday, 11 April 2020
Monday, 16 December 2019
Saturday, 14 December 2019
Sunday, 23 June 2019
Sunday, 23 December 2018
Monday, 6 February 2017
Old Long House Interior



Sunday, 5 December 2010
Bidayuh Longhouse
Traditional Bidayuh Longhouse is open and conducive for a disciplined, communal way of life where honesty, discipline and deligence is automatically imposed on all inhabitants.
Unlike the Ibans, Bidayuh Longhouse actually consists of small longhouses (a few doors) or separate individual homes placed close together and are connected together by platforms of bamboo. Thus they are not that long, straight and level. Ours can be considered split-level, as we have to follow the contour of the land/hills.
Traditional Bidayuh houses are built using timber frames (post and beams), the wall are made of bark or flattened bamboo, the floor is made of section of split bamboo or flattened bamboo and the roofing is of 'attap' (palm-leaf thatch). Another unique thing about Bidayuh architecture, is the complete absent in the use of iron nails. We use a system of joints and the building materials are held in place with the use of special ropes/rattan.
Unfortunately, you can't find anymore Bidayuh Longhouse in Bau District. There might still be one or two in Penrissen, Pedawan or Serian area.
Kpg Giam in the '60s as painted by Ricky Guing Senen.
This is a painting of a Bidayuh Longhouse. Unfortunately you don't get to see these longhouses anymore. Ricky is a programmer dealing with multi-media in a semi-government agency and in recent years is more involved in Communication, Multi- media, DTP and Public Relations activities. One of his hobbies is painting, so I have included this masterpiece of his here on my page. If anyone is interested in his paintings, he can be contacted at:-ssedc@po.jaring.my
Credit to :http://www.cdc.net.my/paular/arch.html
Bidayuh's Baruk house



Bidayuh's Baruk headhouse @ Kg Opar, Sarawak.Some pronounce it as Baruk and others spell it as Barok.Both are same meaning and refer to Bidayuh people.
Baruk can be made into a model for a modern cool community hall. The Baruk structure capitalised on air convection as the principle for keeping the building cool. The other aspect is that it provide an atmosphere of equality in term of status when come to the seating arrangment.
In the old days, this is where the Bidayuh keep their enemies skulls.
'Mukah', a Bidayuh religious festival to appease the spirits of 'Tikurouk' (skulls of enemies) is held here. This is no longer practise because most Bidayuhs are now Christians.
Uses of the Baruk.
- Used by the Pagans to practise the 'Adat Oma' and performing traditional dances.
- In the olden days, a defensive point for the Bidayuh Village.
- Used by all unmarried men and young boys of the village as their sleeping place. (Keep them out of mischief!).
- Rest house for visitors. (Most of them must have had nightmare!).
- A meeting place for the villagers/with Government Officials.
- A venue for religious and cultural ceremonies.
Another unique thing about Bidayuh architecture, is the complete absent in the use of iron nails. We use a system of joints and the building materials are held in place with the use of special ropes/rattan.
Credit to : http://www.cdc.net.my/paular/arch.html












